Greeting Cards


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Five designs available
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Cards are printed in a premium silk finish with an Eco Kraft envelope, and packaged in a biodegradable cello bag
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Size: 7 x 5 inches
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£3.50 each
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Please contact me if you are interested in purchasing any work
About this collection
I’ve always had a bit of a fascination with Celtic knotwork. If you look at the designs I was making 20 years ago, Celtic knotwork featured heavily. I’m not the only one that finds these beautiful designs beautiful and interesting to look at of course - what’s not to like? The symmetry, the unbroken pattern and the fact that it always resolves so perfectly…very satisfying!
That being said, I didn’t explore the ideas behind Celtic knotwork much when I looked at it back then; I just dropped in completed designs, tweaked them very subtly and then went onto other things. So it’s remained on my radar as an unfinished exploration.
Also, when I was looking at the designs all those years ago, I wouldn’t have dared make anything less than perfect, and I had the time – and the patience – to make sure I did them properly. These days, things are a little different!
So after some basic research into how to make these designs, I obtained some collage papers with Celtic designs and picked out some bits as starting points. I ripped off the joins and I took the lines in different directions. I followed the rules sometimes and broke them sometimes. I integrated the lines with other elements that often feature in my work (like plaid and florals) to make things more interesting.
The first work I created in this area is Unravelling. This is an original painting on canvas that features a multitude of Celtic knotwork designs within it – working all those lines together was a very time-consuming but very enjoyable experience. When it was finished, I knew it was more than a single piece in itself; it contained the starting point to create so many other works. It was the mothership!





So I photographed sections of Unravelling, enlarged them and traced over the lines, changing patterns here and there as I went. I then traced over sections of the revised patterns, scanned them in and printed them out again as a new starting point for additional works. I extended the lines again and joined them in different ways. I experimented with different materials, colour and patterns. These activities were all very relaxing, almost meditative (which has given me some other ideas for what I could do with this work - but more about that another time)
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I created a whole series of different designs, that were all based on different parts of Unravelling, and that is the Origins collection that you see here.
In The Celts: Search for a Civilization, Alice Roberts describes how the Celtic culture was thought to have developed. Different ideas were exchanged between regions resulting in new styles being shared but, rather than just blindly copying what was done elsewhere, people took new motifs, forms and designs and elaborated on them to create something unique. I like to think I’ve followed in this way of thinking.